Gerald Bivens

It means that the acts we perform are always the result of outward discharges from the nervous centres, and that these outward discharges are themselves the result of impressions from the external world, carried in along one or another of our sensory nerves.¹

But, first of all, let me ask you to linger a moment longer over what I have called the reflex theory of mind, so as to be sure that we understand it absolutely before going on to consider those of its consequences of which I am more particularly to speak. I am not quite sure that its full scope is grasped even by those who have most zealously promulgated it. I am not sure, for example, that all physiologists see that it commits them to regarding the mind as an essentially teleological mechanism. I mean by this that the conceiving or theorizing faculty—the mind's middle department—functions exclusively for the sake of ends that do not exist at all in the world of impressions we receive by way of our senses, but are set by our emotional and practical subjectivity altogether.²